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celebratedrecluse wrote

Aragorn was a condescending dick to everyone from the start of the bookfair. Upon entering he almost immedietly moved and knocked over some traveling kids pack and other gear without asking them and was rude to a slew of other participants at the bookfair. He made almost no effort to talk to anyone else at the event (contrary to what was said on Bang, most of the people at the event didnt know each other previously) then complained that no events happened, which was false. He made no effort to seek out these workshops, events, and discussions. He talked a bunch of shit to other folks distroing the bookfair throughout tge first day and on the morning of the second, loudly woke a bunch of people up around 9 am and when was confronted, laughed at them. He left a pile of garbage and was smug the entire weekend. From my understanding it was less about atassa and more about Aragorn being a rude entitled asshole. That along with him exclusively reffering to veganism as "anti-native" pissed a bunch of people off. Dude acted like he had every right to,be an entitled asshole and is confused about why he got dunked on over and over. The problem is almost exclusively on Aragorns horrible social skills and complete inability to take any kind of accountability to himself for being a jerk off. Ya got pranked dude, get over it.

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[deleted] wrote

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celebratedrecluse wrote

Technically, we should have posted this in the opposite order, because I believe the quote I got was in response to the one you posted selver.

At any rate, I was trying to provide a brief synopsis of the other end of the perspective from the OP, which was in response to the primary sources selver and I posted. Personally, i have absolutely no fucks to give about this situation, and nothing invested in either side, honestly

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ploopt wrote

Taking a broad look, this may just be what happens when all communication is subsumed into social media. Aesthetics becomes the primary locus of political association. It's the most advanced evolutionary form of the spectacle.

An ontology of tweets and memes emerges, qualitatively no different than what came before. Everything is a reboot or a remake, and so too is the paradigm of Christianity rebooted, with a new cast of saint-heroes and sinner-villians, new forms of orthodox and heresy.

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